FLOWTUBES BOX IMAGES BETWEEN ENERGY MIRRORS LASER PUMPING SYMMETRIES HOW THIS RELATES TO PROJECTIONS OF ENERGY IMAGES INTO SOLAR ORBITS IN THE SOLAR SYSTEM HOW THIS RELATES TO THE PERCEPTION OF STEREOPHONIC SOUND IN A MONO SOUND SOURCE

A mono speaker (one track) projecting sound past you and what you hear by your ears is mono, until, the sound images reflect off the far walls and come back toward you, sonic images conversed. The rear edge of the sound image leaving the loudspeaker and passing you, is now the forward edge of the sound image coming back toward you reflected off the wall.

The sound image passing into the wall comes back out conversed, the first part in, doing a u-turn, is the first part back out except now in rebound it is heading back in the opposite direction. It is this conversal which allows stereo music to erect in the middle of an otherwise mono sound stream. Fractal geometries all basically 6 sided basics with a bit of Penrose thrown in at long distances from the sound source) comprise the sound itself, this (the hexagon snowflakes) is the sound's engineering principles.



A spacial depth is created along a Z axis of a propigating sound image, a point on the leading edge going forward (out from the loudspeaker, is now the same point but on the leading edge of the sound image returning from the wall to the loud speaker. The distance between the two points passing each other in opposite directions as both pass your ears, (stationary observer reference position) is interpreted as stereo, it cannot be otherwise, the stereo interpretation correct depending on where or at which angle the sound image reflects off the wall, relative to where or at what listening angle you the observer happen to be standing.

During stereo in mono sound experiments conducted over a 5 1/2 year period in the late 1980's through early 1990's I checked cross checked and double checked every determinant possible that I could think of, height of sonic rejuvinating resonating device up off the floor, up off a surface such as a tabletop, through closed doors (best sound height up from floor matched height of original sound source up off floor through the door, out a small room, to the left up a corridor through another door and crossing to the far right corner of a room in which the sound source was sitting on a glasstop coffee table, for example.





In all of these tests and experiments, it was obvious that stereo including full authentic original was contained and replayable in a mono sound source, what missed in determinants was why the stereo had to occur, in first cause principles. The simple model of a laser pump between two mirrors answers the question of 'determinant'.

<-)--------- travelling left, facing right -------------(->

 conversed, faces right     (->>       mirrored facing east


(->------------> travelling right, facing left ---------<-)

                            <-))       original facing left


 
left energy mirror----------------------right energy mirror

Picture the two sonic sounds (snowflakes) merging but not in detail one passing through the other in opposite directions, the width spanning left edge to right edge as the two snowflakes representing excitement propigations pass your ear going in opposite directions are the sonic hologram imbedded in every mono noise or sound. That space created in the laser pump symmetry altering mirror, is the stereophonic hologram contained in any means to record, including mono. Stereo in fact (two channels) has two holograms which explains why binaural stereo often is not as pure or fidelic sounding as virtual stereo from single mono sound sources.

The two sonic snowflakes can easily pass through each other, since being vibratory sourced by resonance are energy forms in outlines made of lines of force, there is no substance matter (inertial mass) in them.

As for how come an echo of your shout returning in a cave or in the grand canyon comes back correct way forward is because even though the time line is conversed in the echo (after reflecting off the energy mirror) where rear edge hit the mirror first (shortest distance) and arrives to you first (quickest time), the fact is that sonic snowflakes have to impart their whole signal (front to back - edge to edge) before the signature pak strikes its total composite vibration creating the 'sound'. It doesn't matter which way the signature pak arrived, frontface or rearface, Since conversed aspects cannot merge, left handedness cancels right handedness, and rearface cancels foreface, leaving only the up/down content (contained in every ioto in the sonic image) intact, which you hear as a way of telling which way the sound came from.

Not the whole snowflake cancels, just the valleys cancel as westward traveller from the east meets eastward traveller from the west, passing each other where you are standing. Point to point where there is peak in the two migrating sonic snowflakes temporarily synch together and resonate stronger, re-enforces that peak, increasing the volume.

Just a returning echo, not expected to merge with original source, sounds right edge forward because, after reflecting back by the energy mirror it will be coming back toward you looking exactly the same as when it first passed you heading the other way. For instance if the sound pak happened to look like andromeda (not really) but yes, with a large cowling at the frontface indicating louder volume more bass, after reflecting off the energy mirror and coming back conversed in the opposite direction, the cowling will again be the first part of the pak to strike your ears. Even though the symmetry physics have changed, due to change in direction and conversal via the energy mirror, the sonic image is still the same, in terms of what your ears enjoy.

Changed, has been left/right handeness in the image, and foreface and rearface have reversed positions, because of the change in vector the resultant sound image is interpreted in the ears as the same, since ears do not seemingly notice change in handedness.

Picture now a galaxy, with a noticable frontface, and a rearface which is noticably different thus uniquely distinct. Andromeda stood on edge is good enough in all ways to serve as an example.

Upright leftward facing Andromeda (second below) when reflected in a mirror at the right, becomes a rightward facing Andromeda (first below).

<-)--------- travelling left, facing right -------------(->

 conversed, faces right     (->>       mirrored facing east


*-left energy mirror-------------------right energy mirror-*
                            <-))       original facing west

(->------------> travelling right, facing left ---------<-)


Your left hand is up  your right hand is up

(->> Cannot merge with <-)), front face exclusion principle
is in effect.

Symmetry reversal - left handedness becomes right handedness - is easily modelled upon the simple design of a laser pump. Original lasers were pumped in a crystal chamber where coherent rays bounced off a mirror at one end of a rod, off a mirror at the opposite end of the rod, continuing until enough rays of a specific coherent frequency were ammassed to fire a laser gun.

When the left travelling image reflects off the left hand mirror, it reverts again in symmetries to become a clone of the original.

<-----------------------(->> reflected from right mirror
*-left energy mirror----------------------------------------------right energy mirror-*
             
<-))------------------> reflected from left mirror     <-))------------------> original


Note however there are now three Andromedas in the laser pump, two are virtual (from mirror reflections, one anti to the other, the other a clone of the original).

At this stage, the original and virtual clone are able to merge, however the anti virtual is a standalone unable to merge with either of the other two images. The anti is anti, its vertical right handedness converted to left handedness and its horizontal Z axis (along the line of sight) conversed from [(+) (-)] to [(-) (+)] polarity.

LASER PUMP SMOKE AND MIRRORS

Bear in mind all of the above has to do with laser pumping mirrors, rather than ordinary household mirrors. For instance, this is not you standing on the floor out in front of a mirror, me standing further behing, facing you, and seeing your back reflected further away and smaller in the mirror behind you.

LASER PUMP SYMMETRY

Instead, in laser pump symmetry, your back view has reflected back out and is travelling forward, the same size as before the reflection.

A cannister telescope's mirror when designed correctly, can project forward a full scale full size image of yourself except it will be a virtual anti image of your original shape, the virtual image can be made to be projecting to a focal point on the far left side of a length from the reflection mirror at the right end of the length.

You can rotate the symmetry stand so that the right mirror is now behind you the original, thus further behind me the observer facing you, and the other (left mirror) is now out back behind me. In either case, the reflected image coming toward me is anti and virtual, compared to you the original.

If I stood further out front (as before further out in front of you) I would see coming toward me an anti image of yourself, not reversed or inside out but conversed, changed on the X axis (image objects the same but reversed in handeness) and inversed on the Z axis, rear is now forward, forward is now rear. The up/down axis is unchanged.

Anti particle symmetry images typically show a horizontal coiling confined to a disk, and a down/up polarity direction at right angles to the plane of the coiling disk. Original symmetry shows an opposite coiling disk and an up/down polarity direction for the two poles along a rod (axis).

Laser pump symmetry shows reverse direction in disk spin and converse in foreface/rearface but the up/down pole axis stays the same.



An upright image of Andromeda galaxy is used for illustrating.

Supposed Andromeda was contained within a rod in which information bounced off an energy mirror at one end, the information travelling after the bounce to an energy mirror at the other end of the containment rod, and from there the information travelled back toward the original Andromeda. At this point the image travelling back toward the original foreward facing frontface of Andromeda will be reversed, that is, the front face travelling from the left is the mirror of the frontface facing left from the right.

This is because, the farthest objects in the rearface behind Andromeda strikes the right end energy mirror first and reverses direction coming forward now travelling to the left as the foremost outfront objects in the frontface whose image is travelling to the left. At the far left energy mirror the farthest forward objects again reflect in reverse direction first, travelling foreward again to the right. All of the rearface material in the original Andromeda are now the frontface in opposite image travelling forward facing the original Andromeda frontface.

If the travelling image is continued to be brought forward to merge with the original Andromeda image, it will be a perfect fit, the forward protuding objects move on into a fit with the original Andromeda rearface, and the travelling rearface comes into a final perfect merge with the original Andromeda frontface, and nothing seems changed.

It is at the moment when the two images are apart that change is paramount in importance. The image travelling back bounced off the left energy mirror is not inversed (that is, not the centerpoint features moved to the circumpherence and the circumpherent features moved to the centerpoint, instead, the right image's rearface features have moved to the frontface of the left image, and visa versa of the frontface features original in the right image, now rearface in the left image. Otherwise, symmetry orientation is unchanged, that is, up is still up, down is still down. A break in symmetry has occured where east side original starting as a right hand, has become an east side left hand, and rearprojecting has become forward projecting, and visa versa.

The handedness is no different than you standing in front of a mirror and seeing you right hand raised up now the left hand raised up, in the mirror, except the left hand is raised up on the right side of the image in the mirror, assuming you raised your right hand, stepped into the mirror, turned around and faced you standing outside the mirror with your left hand up.

But this (two you's) is not a true model of a mirror. Suppose your apparell was two tone along a diagnal slanting downward to the left across your midrift. Orange dominants upward toward your left shoulder, green dominates downward toward your right hip. If you now stepped into the mirror and did the twirl to look back out, on the outside the other you will see the orange patch (seen on the left when looking down at the garment) now on the right side of the garment facing you from inside the mirror.

To achieve such a left/right switcheroo in a graphics editor dealing with a flat screen image, the image needs to be rotated out of phase by 180 degrees, then flipped updown, it does not matter which function comes first both are required however to complete the about face switcheroo.

Any writing in the image will now be in reverse. The same image reversal occurs when running a strip of audio tape backwards. Why does it take two functions to reverse handeness in a flat screen image (a phase rotation, and a flip), whereas it only takes one function to walk into the mirror and rotate 180 degrees, the moving (walk) itself does not count as a function.

A physical symmetry break has occured if the image in the mirror is made by an action (walk), rather than by category photons. When the image is straight in, straight out, the orange patch will stay on the left side of the image. There is a second assumption in the walkathon arguement; there has to be space within the mirror for you to enter. In the simple catagory photons arrangement of a reflection only, there is no space needed for holding the image, apparent space is constantly being generated and cancelled as the image continues to reflect.

Straight across, category photons from image to you, all left side and right side features match. The none-existent energy realm in the mirror made only of cross hatch patterns provided by photon light, every part of the energy pattern is lefthandedness, compared to the original source being you out in the room, where everything out in the room including you is righthandness.

You would almost think that handedness switches whenever mass is removed. With mass gone, inertia does not exist in the resulting energy realm. A question is raised, what departure caused the handedness to switch, the departure of mass, of intertia, or of both. The answer is not forthcoming from me, oh crunch I hit the edge in coming upon that question, I have reached the edge of my brain.

<--------------- travelling left
  
 conversed                (->             right energy mirror
*-----------------------------------------------------------*
 left energy mirror       <-) original, facing left
  
-------------> travelling right

(-> cannot merge with <-), an exclusion principle is in effect.

Looking at our roving continental named Andromeda we can examine more in the arcanes for fundamental insights.

It seems this models matter and anti matter kenetics, with the proviso that instead of an up/down reversal in vector, it is a Z axis reversal - rear aimed Z becomes forward aimed Z, in the laser pump mirror image created by the model.

There is an exclusion principle at work. In the stage where the original left facing image has been reverse converted by mirror reflection, it cannot remerge with the original, it would be no different than trying to merge a left and right hand pair of ear phones.


                 




At the circumstance horizon, you have impact vibrations, where the returning conversed laser pump package strikes the sound source (in this case the loudspeaker).

The real/anti aspects of the sonic pak re-enforce each other - the foreface cowling of the returning pak hitting the foreface of the loudspeaker cone facing the opposite direction, peaks re-enforce, with enough gain in kenetic energy to dramatically speed up the foreward-backward thrusting of the loudspeaker cone. In a sense, the cone does not have to accelarate from within each time it changes direction when thrusting, the accelaration force is provided by the returning signal, intersynching in anti mode.







In this case the anti, and real, re-enforce when combining back at the loudspeaker, it is because the up/down axis in the energy engineering construction has not changed so there is nothing to interfer with or dissolve the vertical vectors.

I was not able to get the two animated impact images to line up correctly. Perfectly aligned, their intent is to show leading edge of the converse (returning) signal making first contact with the leading edge of the source signal, both leading edges are the same, the edge facings coming from two different directions.



Reversing the sound track reverses the image (unlike an echo) is easily illustrated (next). When the track is run in reverse, the rearface of the real image is the first to reach your eardrums. EEEeeyyyyyoooOOO becomes a OOOooyyyyyeeeEEE when the track is run in reverse.

         

Now let's take the engineering from the realm of living room physics to that of fractal hexagomous geometry involving recurrant projections along a doppler expand axis. The following image is not able to show the second phase to complete the engineering, which is angular momentum rotation around the same vector axis recurrences.

We can use these images by Meta A.



Creating a converse image of an original, in the engineering physics of a graphic editor, requires two processes through symmetry alteration - a rotation by 180 degrees in any direction, flip, and rotation back by 90 degrees in the opposite direction. The image resulting is converse to the image starting.



A yin-yang occilator.



Achieved is an assymetric pyrn in a gyre.

However, motion of the object is none existent the object is stationary locked in a steady state manifestation, similar to a Star such as the Sun locked in a motionless steady state within its own gravitational relativistic fields the Sun generates by the power of its own gravity. Steady state relativity is far different than motion relativity, (which is otherwise called 'special relativity'), in that the transformation quantities are at different rates when comparing transformations between the two different manners of relativity.

If an occilation is involved, first one end expands the other shrinks, then visa versa, occilating back and forth yin and yang but not that because yin does not become yang yin becomes yin minus, yin plus, the same for yang, both taking turns similtaneously. In a gyre, when the positive end shrinks, the negative end expands in exact converse proportion, accordingly.

GYRES

In these complex convergences we have nothing else than a simple gyre.

A gyre is described as a geometry which uses energy mirror reflection to produce a conversed copy of itself, the geometry itself is boxed in a cylander, locked between energy mirrors at two opposite poles along a rod. Sound familiar. In a laser pump, the original and converse keep passing each other, re-enforcing at the rod's two energy mirror ends, and steady state recurrencing where the convergences keep passing each other in the middle, the peaks in the steady state recurrencings strong enough to influence the behavior or orbital dynamics.

If the effect of the passing itself is measured as a phenomena, you will see it as a fundamental occilation (yin +-) (yang-+), Energy is tranforming in continual change as functions of time.

Click on gyre image for another large



This gyre illustration shows two converse positions for the Sun, the illustration intending to bring a picture to daylight of the Sun image projected into the orbit of Venus to comprise Perfect Eclipses incorporating Earth orbit, planet Venus, planet Earth, the Moon orbit, and Venus orbit (with eccentricity), all of which ratify in different lineal sum combinations to compose compton wavelengths for all Xions (baryon class) and Upsilon (meson class) elementary particles.

FLOW TUBES

'Rods' confining perfect eclipse constructions, are called a 'flow tube' in the Holes.txt file. Flow tubes include Jupiter, and clearly extend out to Saturn. After that details regards flow tubes are not certain for Uranus, Neptune, Pluto.

The transparent formula (energy outlines made of lines of force) becomes fundamentally important in persuing secrets about perfect eclipses, in particular, why do paramenters reverse between the real state in which the Earth, Moon, and Sun, form perfect eclipses, and energy states in which for instance Earth and Venus with Moon orbit incorporated become the compton interactive wavelength for exact charge states in Xion particle families, yin (+-) becoming yin (-+) in switching from stable Xion wavelength state determinants, to unstable Xion wavelength state determinants.

That is, in the yin (+-) determinants, the subtraction (yin -) of one orbit of the Moon from the stable Xion wavelength computes the negative charge state mass energy, and addition (yin +) of one orbit of the Moon yeilds the neutral charge state for the stable Xion elementary particle.

NEXT

A schematic image showing perfect eclipses in array out from the Sun. I have done all perfect eclipse proportions and calculations along a single axis from the Sun out to Saturn. Picture in mind's eye closing the three shown arrays into one along a single axis. Orbital tilt, body positions around a 360 degree ellipse, and body masses, are not variables required in the equations.

Click on image for larger version



If onscreen, search the Perfect.txt file for 'hyperfine distinction'.

The subject of the (+-) determinants has been called 'hyperfine distinction' which also relates to the existence of strange attractors, called 'home attractors', by which these hyperwave resonances occur as critical values.

In moving along the doppler axis to the unstable Xion wavelength (a precise distance that is quantistically shorter) the subtraction (yin -1) of one orbit of the Moon, results in conversion to the neutral charge state mass energy, and addition (yin +) of one Moon orbit, converts in measure to the mass energy of the negative unstable Xion charge state.

What has happened is the (yin (+-) is reversed from stable to yin (-+) in the unstable Xion particle's fundamental symmetry engineering.

Here next is a schematic of four Xion particle family wavelengths used in illustrating reversal in (yin) above. As well, Upsilons are inclused in the same gang of planetary orbit resonances.

Please note that in factoring elementary particle mass energies by means of recombinant wavelengths segments, the concept of solar orbits can be removed entirely and the particle results are exactly the same. Solar orbits have provided a phenomenal model.

PHOTONS



Photons containing angular momentum (as well as spin) bouncing off an energy mirror then creating a temporary steady state where they pass each other and re-enforce at maximum potential leftedge-rightedge intersynch.

It would not be expected that photon angular momentum is solid (an illusion created by the original, and by the gyre construction shown above. The 'illusionary' fault starts in the original graphic image (solid colors) which is why 'transparency' has failed and solid in the overlay covers completely the underlay.

In fact some of the 'transparency' has overlayed, other parts have not. Here side by side are the two separate components used to make the gyre image. Comparing them can reveal more of what illusions are in the content of the photon angular momentum images.





How illusion begets uncertainty is well illustrated by this next photo of Phobos over a crater on mars. In the original, downloaded from this page at Apod, domes in the crater are outies, and Phobos the moon is an innie looking like a crater. You released the image to the public unpside down, you ninnies. The image has in it, captured in statis, a time lock of the exact incident rays striking the moon and the volcano then entering the apperature of the camera. That lock in status is a permanent hologram in the image.

THE ILLUSION, MADE BY DILLUSION THAT ALL IS CORRECT ANYWAY



When redisplayed later in the wrong orientation, incident rays of light in the room strike the image in conter phase to incidents stored at the moment of photo, so all reflective indices in the photo are conversed, outies become innies and visa versa.

Below is the correct image orientation, in a virtual 3d pair so stereo is self evident. Following, the image released to the public by the ahem professional ninnies. Beg pardons I do not know what else to call this illusion problem except one created unnecessarily by ninnies. I think the word atheists might be a bit extreme.



The sequential dots are rastering in the imaging techniques used for the satellite photo over Mars. Phobos itself looks like it has been inserted after the fact, or computer altered in some way, perhaps to make it brighter or clearer, in either case Phobos seems imprinted on the surface and has a strong scintillating rim, neither of which factually corresponds to Phobos in orbit around Mars.

Occam interjects a comment; "The volcano caldera is on Mars. The scintillate mound in the east is tiny Phobos in close orbit above the planet".

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