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"Pages of text and image from home experiments ending 2 1/2 decades ago are useful now, because sonic principles learned during these experiments need to be described to assist unistarrs in becoming acquainted with higher energy dimensions christ energy principles, fundamental among these being pure sonic sound".
Five year narrative journal (in six parts) of stereo in mono experiments and tests done at home.
SOUND1.TXT Newsonic sound experiments
SOUND2.TXT Leading to reproducing full
SOUND3.TXT Stereophonic sound from 100%
SOUND4.TXT Mon sound sources and recordings,
SOUND5.TXT Experiments chroniciled over
SOUND6.TXT A five year period
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"The sonics work using properties and principles also used to transmit light in reality, except, this is not photon light it is etheric light, in which golden etheric beings radiate auras of both brilliant pulsating and flashes of amazing colors to communicate, and can with a burnished gold sheen seen as some of their 4th dimensional being aura in the their dimension".
"Tympani resonators came into the picture two decades ago in stereo in mono sound experiments which started out in a low rental condo then moved to a three bedroom two garage 8 year old home with red brick facade at the front and cheap grey aluminum siding for the rest".
"Six years of sonic sound experiments leading to full 3d stereo that fooled a music guru from mono only, are carefully documented - the successes - the failures - in the newsonic page".
"Original 'tympani resonators', used in critical mono sound experiments, produced better quality more fidelic 3d stereo. These experiments shown next were explorations, not producing stereo that could be sold in a high tech store".
"Stiff art paper cutout were used as 'tympani' resonators (correct name) in sonic projection experiments determining better articulation in mono sound sources producing better stereo 3d fidelity. A one inch square flat speaker is attached to the back of each upright template tested".
"In this experiment, a second tympani cutout is placed over a large loudspeaker propped at a critical hexagonal 30 degree angle on the floor behind the higher placed upright resonator. A 1 inch flat tweeter from a walkman is climped to the center of the tympani. Alone, the climped 1 inch tweeter in the resonator produced an amplified stereo sound that could be heard downstairs, because of six sided sonic exciters placed intensly in the environment including downstairs. Wouldn't want to boast about the high fidelity, it sucked".
"In this next photo, a flow tube experiment erected on a slab supported on apple boxes, is in the corner of a large room with the sound source (unseen) on another table of approximately equal height, in the opposite corner. One of the properties of sonic projection is horizontal plateau resonance spreads, same height to same height".
"In another room at the same height sound is noticably louder. Downstairs at the same height, sound is noticably louder. Through a closed door, at the same height, same thing, more sound at the same elevation throughout the environment even through solids. It's like a slice through every atom at consistent height".
"The plateau is at the height of the center of the sound source, for instance a voice coil in the cone, it is not conditional on reflective surface below or above the sonic generator".
"Photos taken when no money incomes allowed purchase of 110mm film rolls developed at poor quality photo labs, document different devices and placements during the six years of stereo in mono experiments. It was determined during that era that all sound is matrixed in six sided floating pancake hexagrams, idential to image properties in all snowflakes. There is no lineal out lineal back standing wave propigations, sounds spread out sideways in cross harmonics, called 'second city sound', as well as up and down in dominant and missing plateaus, and go forward as the edges of each snowflake pump each other forward where they strike something and eventually reflect back to the sound source".
"The photos that survived the photolabs are in newsonic photo story.
"The newsonic sound descriptions and photos were zipped up and put out on the international bulletin boards network active at that time, uploaded by a 1200 baud, then 2400 baud, telephone modem".
"Here next are examples of 'tympani resonators' originally hand cut from expensive art paper, into tympani templates to explore their participations in mono sound purity and long distance propigations".
"Image of tympani resonator"
"Three kinds were tried, a birdcage of interleaving hexagram cutouts, a flat piece with six darts sticking out at 60 degree angles, and a flat piece emulating snowflakes. Two are shown. The matrix for cutting all of the sonic tympanis came from snowflake matrixes determined as universal fundamental underlying snowflake principles in the early 1980's, by me".
"The jaw dropping experiment"
"Other sonic resonating devices hand made during stereo in mono sound experiments include this shown next. Each worked, to a point, then were abandoned as the experiment moved on to a conclusion where a livingroom especially doctored for 6 sided hexagram frequency resonances and re-amplifications fooled a stereo expert into thinking glen miller music in full orchestra in the room live forward back sideways as by a battery of powerful speakers and a remastered original wire recording mono of miller's orchestra, hey (jaw dropped body hunched in astonishment when the listener was instructed to open their eyes after giving opion) one eight inch driver and a single 6 inch oval tweeter on the floor a few feet away attached by a single lead in series to the big speaker produced the whole of the big sound with the glen miller orchestra fitted into the middle of it, by the livingroom finally set up as seen in the next photo with dozens of other standing wave disrupting six sided thingies and a couple of long distance away small five sided device strategically placed throughout the whole main floor of the house".
"Then the small fisher price getto blaster producing all of the sound failed and it was time to move anyway, landlord taking over to renevate for son getting married. And the sonic stereo in mono experiments came to an end, successfully concluded".
"This little guy, named quasar, used to come trotting in around the corner up to a hanging array of tympani templates, listen for a few seconds, nudge one of them with his nose, the sound instantly improving a subtle harsh irritation vanished, turn around and trot away back to a cushion in the other room. The pack of cigs on the floor, has just been opened by quasar one cigarette pulled out ready to smoke, a technique the dog developed entirely on his own after watching me open fresh packs and pull out a ciggie, back then when smoking was allowed without karma problems".
"The living room in which the jaw dropped".
"The living room array for the final 'jaw dropping' experiment. After this, the entire experiment was dissolved and put away in boxes except a few devices strategically placed to accelarate the sound of the TV".
"This TV plus an older, named by co-indence 'Quaser', TV set of similar size', produced sounds at times as if live in an arena with hocky underway, hocky never watched, same as baseball major league for sports sounds with their big resonance echoes used in different experiments over a five year period in two different residential locations".
"Took a lot of work each time to get the Quasar TV sounding like an arena. When it did, eyes closed, you could not tell you were not standing above the end of the ice watching the action live. I mention location above the end of the ice because this is where sports broadcast main mikes were typically located during that period of time. The Quasar TV was 100% mono sound it was that old and still worked, handed over one day by friends core dumping their basement".
"The walls were a light cream pearl latex, the carpet a medium brown. You can tell the quality one-hour photo labs were producing in those days. Speaking of picture quality, the chair in our friend quasar's picture was burgandy real leather, the photolab blew that color completely. Back in those days, the lab technicians used their own judgement for colors and the technician running the developing prints and colors was an arrising young male avid allah worshipper. Gives a clue about distortions in perceptions due to distortions in beliefs".
"Ports opened up with tweeters removed, the 10 inch loudspeaker propped out at the bottom by a nail, the 6 inch oval speaker on the floor ripped from the rear stereo of our 1984 buick we drove at the time until it stopped running safely and taking it up the street around the corner to a smalltime used car dealer for a price the buick ended tail sticking straight up out of a deep ditch (no photo). Our buick could be seen sticking up into air four blocks away. How triune beings make their way on earth over the decades".
"The only 5 sided devices"
"These small two on stairs a long distance around a corner from the jaw drop speaker open air speaker mono speaker enclosure in the living room. The conch shell with its golden harmonic curled interior helped a bit, enough to leave it there for awhile and then when circumstances improved at the finish in the living room the conch shell became a spoiler and was removed".
"Table in rear of livingroom in opposite corner to TV, same side of room as the jaw drop open air mono loudspeaker".
"New use for a bird feeder. Pre dejuvu, this array looks remarkably similar to clusters of small tympanis in hyper active galaxies and starfield nebulas".
"This cluster of six sided objects made of hand filed faceted six sided plastic beads glued together, and stiff art paper cutouts, predated stereo astronomy tympani clusters by about 15 years".
"Determination of mono as principle sonic sound source in creation was completed first. Later, determination of mono as principle vision source in creation is established as fact on earth".
Occam steps forward with an insert: "Both mono sonic stereo and mono sight are the purest forms of sense perceptions in reality".
"No such thing as mono taste or mono touch. It is the joined package of sound and sight working together from the same fundamental sonic law blueprints, which is being introduced to you today, for most of you, revelations for the first time about truth of your existence in a greater reality than you ever knew or imagined".
"It is so simple, because it is free of religious voodoos and worthless arcanas which keep you in prison in your own private thoughts, until, starting, today, a new inner vision about yourself, god, heaven, afterlife, and eternity. Stuff the bible missed completely. Stuff allah's and arabian nights mysticisms won't glimpse. Stuff buddists keep trying to find and can never. Stuff kaballists have never found and cannot as long as they remain kabbalists. Stuff the vatican can never preach. Stuff politians dread. Stuff masons wish they had. Right here, in front of you, today. Stuff free of luciferian and henchmen distortions perversions and pollutions".
"The moment such truths about cosmic law of one reality open up in you you are no more a catholic or a buddist or a talmud jew or a shriner mason or an eastern law believer or any of the tricks of the world. So, the big one, heaven, becomes an open inner vision into a reality with heaven no more the new inner vision within yourself so far reaching is the bigger picture. Have I got your attention?. Apparently I have".
Occam steps back and Stereostarr continues.
"Two lens binnocular stereo imaging is not used in reality. No other planet except earth uses it. Two channel stereophonic sound is not used in reality. No other planet except earth uses it".
"That large 24 pieces star snowflake at the rear of the flowtube, its bigger version 37 pieces in a similar starflake with a larger diameter, what a dismal demise it had".
"It had already been determined that spinning a starflake slow, boosted resonances in the sound stream to super juice, one rotating on the turntable wheel of a stripped apart cassette tape walkman had unexpectedly one afternoon caused the heavy left large plastic enclosure box of a getto blaster to suddenly start scooting across the table and launch three feet through the air hitting the ground with a crash. This was an unexpected turbo roar that kicked in when the rotating upright starflake, now a windmill, was turning and being carefully moved and adjusted to a best sonic position by hand".
"The search was on, how to windmill drive an upright starflake at slower than walkman drive wheel turning speed. Search headed out the door thinking to buy a small motor from a hobby store arrived back a motor for a reostate driven racing car no luck the moment minimum juice passed through the line from the also new reostat transformer into the motor, the speed was far too fast to be of any use".
"A hobby store owner (bad advice good enough for bobo) insisted a worn out vacumn cleaner motor driven by the same kind of reostat controling overhead fans with dimmer lights as a typical condos dining area chandelier would work. Home came a worn out vacumn cleaner motor and a brand new chandelier reostat, everything was hooked up, in the kitchen area of our low rental condo at the time. The moment the resostat was turned on to position .01 the 37 peice starflake vanished. It started spinning so fast for a couple of seconds it was a transparent blurr then a single clattering racket and the starflake was no more. It had dissolved in pieces, flying through the kitchen so fast the plastic hand filed snowflake pieces shattered into tiny fragraments. Only 7 fragments were found the rest of the whole of it disappeared into the cluttered condo and were never found".
"The turntable you see with the revolving flow tube on it was set at 16 rpm its slowest speed, just enough to touch slow speed range and boost sounds in experiments for awhile. When stretch plastic six sided slinkies were set up strung across the living room floor (see image), the rotating turntable become a spoiler and was withdrawn".
The theory is still someday to do a research with very slowly rotating sonic disrupter devices which disrupt destructive standing waves returning to the sound source and engage cross coupling harmonic resonance propigating waves, to see if turbo roar can be regained only this time in fully intuned stereo in real live stereo in all directions at motion picture block buster sound track volume, from a small sound source such as an 8 inch woofer dangling in the open air assisted by one or two other smaller open air speakers strategically located".
"The point of describing the turbo roar and sound's ability induced by hexagram matrixed motions at a distance to drive a plastic speaker weighing several pounds across a table and launched sailing straight out into the air, horizontally, is a glimpse of the size and power of sonic percussions that produce tympanis in galaxies and hyper active starfields. The accelaration was so fast. It was like something seen accelarating through the rings of a magnetic induction motor. It happened once. I know the principles in the properties used, exist. The speaker enclosure first turned around its cone facing the wall, then zoom".
"This passage above, is in one of stereostarr's earlier cosmic translation class presentations", interjects she who is soon to become Sonnicstarr.
"That is a once inch wafer thin flat speaker stripped from an earlier sony walkman which was tried once and never pursued by sony. Clipped into the crystal cavern cavity, this little thing produced enough sound that listeners with their eyes closed thought a stereo system was speaking. The sound wass thin and weedy, but had the double octave below bass drum of a rock band clearly heard in the lowest ranges. These crystal cavern experiments ended when the paper cavern crystals 'melted' uselessly out of shape in high humidity in summer air".
"The thin wafer, clipped into the center of a flat upright tympani resonator (see image) did so much better the same listener, eyes closed, really did think a new stereo system had been purchased. The sound this time approximated that of any low cost shelf set". These flat tympanis too warped in humidity, then got swiped in a storage shed breakin. The only surviving tympanis are five of them with six darts sticking out at 60 degree angles they are at the moment safely secured stacked smallest on top in a six sided hat box".
"They have been carefully taken care of for nearly 20 years, all more or less the same size, filling the square area bottom of the hat box. These five worked hanging around on pins on walls around the enviroment. There were seven, originally, two have disappeared into the great mysterious haven of misplaced objects".
"On the floor is the six inch oval tweeter later used in the jaw drop experiment".
"Another curious stereo mono property is revealed. The shadows of the flow tubes, and stand at the front, are projected in the air, not back on the wall where shadows normally appear".
"Shadow projections" "Reality uses massless energyless projections such as floating shadows to transer information for instance of thought or idea, from one place to another. Shadow projections can be projected a long way without loosing coherency. Long means long, light years when needed. It is yet another means used in reality to keep all parts of the creation in touch with each other. Using shadows as a video system has energy conserving advantages, little is wasted, no more than minimum needed is used. No inertia is involved in the transmission".
"Sonic projections" "In the low rental condo before moving to the house, experiments were done projecting sound from rear to front of the main floor, a right angle turn up a corridor along the main clothes closet, through a door, into the downstairs bathroom, larger than usual it had a 5 foot wall mirror over the sink and wide counter".
"The sound in the far rear corner of the dining area diminished to a very low volume by the time it had turned the right angle through the living room and reached the front door. It was almost gone completely walking up the corridor. Suddenly stepping into the bathroom it was more than half back including all of the bass and all the stereo being heard in the dining area. It was, of course, a mono trial. The tests being done from now on were in 100% mono sound sources, for another 2 years".
"First experiments, shorter rods supporting the slinkies. Later rods were switched to 6 footers and the slinkies really stretched out a long distance past the ends of the rods and pinned to the floor. This is when breakout occured".
"Full stereo full range full live environment full wide to wide and front to back well into the rearwall heard as if on a concert stage in front of the orchestra with your eyes closed, by an odd twist of perception audience hubbub shouts and handclaps heard farthest away into the depths of the wall because this is the perception, reversed audience, that the microphones hear when recording live in front of sound, the front of the mike faces back to the front of the band facing forward, and so is reproduced further back, behind the band".
"In a recording booth there are no ambiance sonic echoes and you can tell at once, in a hit parade recording, when the singing switches from a mike live out in the open of a studio, to soundbooth, the sonic presence vanishes. Many hit parade recordings switch back and forth as the song continues to the end".
"Elvis Presley doing one of his big hits from the mid 50's had a full orchestra in the background compressed to produce a single sound that moved in a single body up and down as another instrument. When opened up, a full orchestra appeared in the middle of the living room with Elvis singing in the middle surrounded by studio mix wrap around sound. What a surprise that was I had no idea Presley's hits were such elaborate productions after the first year".
"That hanging from a makeshift stand is an old wooden test tube phillips mantle radio. The tubes had leaked over the years before I got it so 60 cycle buzz was almost as loud as it playing an AM radio station. I got busy and ended with the radio slung in the air as you see, freely moving around when touched, without the slightest trace of 60 cycle buzz".
"I could not get the radio to stay horizontal, the leather strap for the carry handle was partly decayed and the sling wire kept sliding into grooves off center".
"I could have fixed it but was only interested in the 60 cycle buzz at the time. The buzz is your hydro doing AC at 60 cycles. Some countries use 55 cycles. From its small center oval speaker, the wooden mantle radio in AM mono produced a hard sound that was stereo wide to wide and front to back into the wall behind it. But a hard sound, like hi fi heard through a wall".
"The stereo from such a small old styled wood radio impressed friends but not me. I turned after this to go after pure sound which finally came with the slinky array stretched across the living room floor on wreath tripods the slinkies and tripods pinned down with picture frame wire".
"This alternative pyramid experiment did not work well. The darts touching each other interfered with each other, snuffing ambiance room echoes".
"It worked better when one of the legs for the pyramid in front of the TV was taped upright to the second hand of a battery clock motor which turned once per second. "The one that worked well was built by slave labor and placed in front of the old quasar TV".
"The pyramid in front of the TV was too fragile to be moved around and better resonances were learned soon enough that paper pyramids were put aside in a large flat scatter box, which since got swipped by industrial espianage, in favor of a better new class of tuning devices - the tympani resonators".
"The photo shows the initial simple four foot slinky array, later it went to six foot slinkies streched out as far as possible without snuffing sound, pinned to the floor".
"Humans who think they need to 'master' dogs, don't have friends like quasar".
"In the whole time of these experiments our little brown dog friend quasar never once knocked over a tripod or array, except once, in the last month his sofa cushion with a hole cut out on the underside (turned it over himself after the hole was cut wouldn't let me help turn - took a day and a half to complete turning it over) to a depth liked and the pulling of tufts of foam finished, had been moved by careful engineering by himself in the living room to the back near the corner across the back wall from the TV, and carefully stepping to it heading to the cushion one afternoon his toenail accidently snagged one of the pinned down guy wires for the hexagram slinky array and the whole thing went 'twang' with quasar completely wrapped up in the middle of the whole mess".
"I saw it happen. The poor quy stood motionless the whole time while I gradually managed to untangle the mess and extract the dog wire by wire, strand by strand".
"Unique paper pryamid brought an ice area into the livingroom".
"In such a fragile paper machine, everything jiggled sideways and up and down, jiggles even at microscope size positively re-enforce cross harmonics and octave cascades, so that deep bass is immensely boosted by the microscope vibrations adding into the sound stream".
"This is how a full booming echoing national figure skating competion arena was heard in a living room from a decades old quasar TV with a single mono 3 inch tweeter producing the sound the paper pyramid amplified".
"In the TV pyramid - old Quasar color TV is on the stand partially seen behind. The chisle points on each of the support pieces were the only weight bearing points of contact throughout the engineer which is why such a profound giant sound balloon had live arena long distance echoes and the low toned resonances arenas have. You could hear the slices of the skate blades on the ice as figure skaters both male and female did their turns and jerk stops and occasionally accidentally bumped the boards. As if you were right there. It was trial runs, prior to judging".
"In these experiments, if I touched or adjusted anything set in resonance positions, the wait time for result was about 3 1/2 seconds for the new interference pattern's sound to gell after spreading out saturating the environment from the adjustment then return to the sound source to be added anew into the final new sound stream after the adjustment.
"Just a touch could make or break good sound when the experiments were going through their most fragile stages leading to a steady state stable embodiment seen in the stetched out hexagram slinkies across the living room floor photo below".
LATER
The following critical confluence point in stereo reproduction, Sonnicstarr, Sterreostarr's new female half, found in pure single track channelled stereo sound. Six sided stretched plastic stinkies were found in the toy section of a dollar store, three remained, for $1.00 each.
These each stretched to 12 feet however as soon as stretched they lost their reshrink. It did not matter. The three were stretched out across the living room floor in a six sided array, duplicating Sterreostarr's earlier emobiment now with brand new not worn out slinkies, suspended above the floor by six foot thin round rods cabinate makers use for dowlings.
The wooden rods themselves were slung by thin jeweller's wire from large three-legged steel wire tripods used for giant wreath's mounted upright especially wreaths used for celebrations.
What Sonnicstarr additionally found is that a small collection of five sided objects placed on stairs of a second floor staircase outside the room around the corner and up a long hall to the rear of the house, became critical.
The more critically attunded the hexagram slinkies stretched on rods in a six sided array became, in the front room, the more critically the five sided objects at long distance around the corner to the rear had to be more and more critically attuned in the sound stream filling the whole environment with sonic echoing stereo, the female result in sound, after the initial female anchor sourcing the vibrations and propigations at the atomic and subatomic (compton) level, the male then outspread to all possible resonance parts of the environment, the male returning from all directions impacting on the sound source, propelled back to source by the second female in the form of five siders up in the air on the stairs.
The height on the stairs for the most critical five side resonators, was exactly the center height of the sound generating source at long distance away around a corner into the rear corner of a front room.
Six and five sided objects in the environment impart a second female capacity into the sound stream, the second female a result not a cause as is found in the first female. The second female is a second signal of blueprint patterns, to be returned to source, generated by all artifacts and change turners in the environment and encountered by the first female initiating in first cause sonic vibrations always already there so that external sound manifestation can initiate.
The second (returning) male is the resultant combinations of the second female's list of possible vibrations in the outer environment including long distances where inaudible sound waves are too low for normal humans to hear. Sonnicstarr with her new accelarated senses can hear them.
The stretched slinkied are mobile in that they can more in all directions in responses to sonic hits upon them throughout their lengths from all angles. The five sided small objects happened to be stationary, this does not mean that mobile five sided interferes, it means mobile five sided was not devised lacking easy ways for this experiment.
The critical confluence point is, of course, where the five sided properties meet and merge accelarating all six sided properties in the sound stream.
The more the six sided slinkies and the five sided accelerators became critically attuned to each other, the more that other six sided objects in the environment both near and far became less and less critical ...
... leaving a fluidly mobile six sided power amplifyer, and a stationary must smaller five sided signal accelarator. Must is used because the sofar evidence suggests successful five sided confluences are small.
The resulting negative positive female, and positive negative male, understanding comprising basic sound, is now called 'allsonnic".
"And, for use in a sentence; 'allsonnic resonances'", Occam concludes.
